5 Rappers Who Addressed Their Addictions

Punk’s hardcore absurdists goof on the Doors’ Oedipal hippie head trip “The End,” while wrestling the riff from Black Sabbath’s “Sweet Leaf.” It’s a Satanic-panic spoof of golly-gee family values that goes from childlike wonder to a vile rappers on drugs din. The Guardian’s product and service reviews are independent and are in no way influenced by any advertiser or commercial initiative. We will earn a commission from the retailer if you buy something through an affiliate link.

Lil Uzi Vert

His death was ruled as accidental with and was attributedto the effects of Butler’s heavy usage of “purple drank” in conjunctionwith his pre-existing condition of sleep apnea. These faces of addiction shown above can be alarming and disturbing, but there is hope for recovery. If you or someone you love is struggling with addiction, it is time to ask for help. You can call or text our admissions navigators to get started on the road to recovery. “I think society has some responsibility to give kids some alternatives to the glamorized view of drugs they see in this music,” Herd said.

  • The Guardian’s product and service reviews are independent and are in no way influenced by any advertiser or commercial initiative.
  • Drug and alcohol mentions can influence adolescents to engage in substance use, according to Eric Beeson, a licensed professional counselor for the online master’s in counseling program at Northwestern University.
  • Four years later, while living with his grandmother, he began selling crack.
  • Calm, cool and exceedingly stoned, Schoolly D narrates this debauched fairy tale about a teenage night on the prowl amid a cacophony of D.J.
  • In “Life and Hip-Hop,” columnists Natalie Brown and EJ Panaligan explore and analyze how hip-hop intersects with and influences everyday aspects of life.
  • Rap music has increasingly glamorized the use of illegal drugs, portraying marijuana, crack and cocaine as symbols of wealth and status, according to a new study by the journal Addiction Research & Theory.

Cocaine Blues

Against Swizz Beatz’s acoustic guitar-tinged backdrop, Eve calls out a friend’s abuser, but the victim still ends up in a hospital bed taking her last breath. In response, Eve barks, “I don’t even know you and I want you dead.” Then she gets her gun. Buoyed by a bright, vibrant soul sample, the Geto Boys’ Bushwick Bill tells this gruesome, mesmerizing story — from birth to being shunned over his dwarfism to success to the night he was shot in the eye. Rushed to the hospital, he survives surgery and has his picture taken for a Geto Boys album cover.

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Under the Influence

But cushioned by the producer Zaytoven’s twinkling low-lit ambience, gradually surging synths and a muted horn fanfare, Future leans into his regret and vulnerability like never before. Eminem’s scrappy, never-quit attitude appealed to artists across genres. Taylor Swift once covered “Lose Yourself” in concert and so did Colt Ford, a burly hick-hop songwriter who helped write Jason Aldean’s smash “Dirt Road Anthem.” Here, Ford promises not to sell his soul to be a star. Selena Quintanilla Pérez, the Mexican-American “Queen of Tejano,” was working on her superstar-making, first English-language album when she was fatally shot by her former fan club president in 1995.

Charles Manson claimed that songs on the Beatles’ White Album (most notably, “Helter Skelter”) subliminally told him to go on a killing spree and start a race war. A gorgeously mordant, spectral lament that emerged in 1933 in either Paris or Budapest by one or two Hungarian Jews, “Gloomy Sunday” became an omnipresent rain cloud drifting across Europe. No evidence exists that the song inspired a spate of suicides — widely rumored at the time — but Holiday’s earnest version of a Tin Pan Alley translation was banned by the BBC in the early 1940s because it was deemed too somber for wartime. The song’s primary writer, Rezso Seress, committed suicide in 1968. Meet “Mizzle,” a delusional white crackhead and unlikely Dipset affiliate, who appeared throughout Cam’ron’s “Purple Haze” album, seemingly just to annoy critics. Part two of a continuing, multi-album skit with Paul Rosenberg, Eminem’s long-suffering manager-lawyer, who always fails to get the rapper to soften his subject matter.

rappers before and after drugs

There’s never been a more high-spirited murder song than the Dixie Chicks’ banjo-flecked country-rocker about an abusive husband who knocks his wife into the I.C.U. and subsequently pays the ultimate price. Cole plunges back into his ongoing inner conflict about selling out, but in the first verse, he also tries to address homophobia by toying with both sides. He spits a few hateful bars, crudely admits that someone else’s sexuality isn’t his business, then exits, saying, “Just a little joke to show how homophobic you are,” which is too cute by half, as well as incoherent. ” channeled the cartoonishly evil attitude of metal-influenced horrorcore rap and these maniacally Satan-hailing English guitar grinders laid the groundwork. Korn’s label expressed its desire for a single toward the end of the recording process, and the band reacted poorly.

Love Is Blind

Xanax is a benzodiazepine that is used to treat anxiety and panic disorders. The drug slows brain activity, helping people feel relaxed. https://ecosoberhouse.com/ Because of its euphoric properties, a host of rappers over the years — from Eminem to Kanye West — have espoused the drug in music.

rappers before and after drugs

Greatest Hits

rappers before and after drugs

Raising Awareness for Addiction, Mental Illness